Holocaust literature
by
Dorian Stuber
Holocaust and Genocide Studies: online journal issued by United States Holocaust Memorial Museum, United States Holocaust Memorial Council, and Yad ṿa-shem, rashut ha-zikaron la-Shoʼah ṿela-gevurah
The Journal of Holocaust Research: online journal issued by the Weiss-Livnat International Center for Holocaust Research and Education at the University of Haifa
Eastern European Holocaust Studies: online journal issued by Memorialʹnyĭ t͡sentr Holokostu "Babyn I͡Ar"
Holocaust: Studies and Materials: online journal issued by Centrum Badań nad Zagładą Żydów
Holocaust Studies: A Journal of Culture and History: online journal by Routledge
The listed poetry books are by authors who significantly contributed to Holocaust literature. Not all works listed here, however, touch directly on the Holocaust.
Variable Directions
by
Dan Pagis; Stephen Mitchell (Translator)
Selected poems [of] Abba Kovner
by
with an introduction by Stephen Spender, translated [from the Hebrew] by Shirley Kaufman and Nurit Orchan ; [and, Selected poems of] Nelly Sachs; translated [from the German] by Michael Hamburger [and others], selected by Stephen Spender ;
Paul Celan
by
Paul Celan; Pierre Joris (Editor, Introduction by)
Poems of Paul Celan
by
Paul Celan
Shirim mi-Bergen-Belzen, 1944/Wiersze z Bergen Belsen, 1944 (Poems from Bergen-Belsen, 1944 in Hebrew and Polish)
by
Yureḳ Orlovsḳi, translator Uri Orlev
The listed books are by authors who significantly contributed to Holocaust literature. Not all works listed here, however, touch directly or only on the Holocaust.
The garden that floated away, director and photographer, Ruth Walk; producer, Yael Perlov; produced for Keshet Broadcasting
For 45 years, in a modest flat in Holon (near Tel Aviv) Ida Fink wrote in Polish about her childhood memories-- of the years she and her sister spent under false identities in Poland and Germany, trying to survive the horrors of the Second World War. Never giving up her mother tongue, or her old Polish typewriter, Fink's acclaimed novels and short stories were praised for their unique attentiveness to the complexity of life as it was lived in the darkest days of our history. The visual and lyrical qualities of her stories are translated into this cinematic portrait of a writer who has retained her sensitivity and poetic talent through the horrors of loss, fear, hatred and betrayal. Allowing us a unique insight into her current life, the film follows the remarkable relationship between the two sisters, now in their 80s, as they move into a flat together in Tel Aviv.
A trip to the other planet, written and directed by Tom Kless
An animated portrait of the hallucinatory journey of consciousness experienced by Jewish writer Yechiel De-Nur ("KaTzetnik 135633") during a psychiatric treatment with the hallucinate drug LSD in the Netherlands, 1976. The treatment sends De-Nur to revisit the "Other Planet" of Auschwitz, during which, De- Nur sees himself as the Nazi officer who sent him to burn in the crematorium. This life-altering experience releases De-Nur from his repressed traumas of the past, and engulfs him with new prophecies of a dark possible future.
Partisans of Vilna, Ciesla Foundation presents; directed by Josh Waletzky; produced by Aviva Kempner; narration written by Josh Waletzky
How does a community respond to a threat so vast and inhuman as to beggar the imagination? How does an individual resist that threat, when resistance may bring harm to the very people one is trying to defend? This documentary records the testimony of Holocaust survivors who, as young Jewish men and women in the Lithuanian city of Vilna, engaged in armed resistance against the Nazis, often in opposition to fellow Jews. Politically active Jewish youth, many members of vigorous Zionist and Socialist groups, realized what was happening, and in 1942 formed an organized resistance. To fight the Nazis was, in the eyes of many Vilna Jews, to threaten the lives of all those who remained in the ghetto. But to submit to the Nazis was also to support a murderous regime and participate in the annihilation of one's own people. The film addresses a question history has answered: Was it better to preserve life at any cost, or to risk death in order to preserve honor?