Jewish Studies Research Guide

Aomar Boum is a historian of modern North Africa. In this book, together with Nadjib Berber, an American-Algerian comic artist, he relates a chapter of the history of the Holocaust in North Africa, thus revealing a less-talked about aspect of the Nazi persecution of Jews. The creators relate the story of a German-Jewish political reporter Hans Frank covering politics in Berlin. He grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing against fascism, Hans ultimately lands in French Algeria, where days after his arrival, the Vichy regime designates all foreign Jews as "undesirables" and calls for their internment. On his way to Morocco, he is detained by Vichy authorities and interned first at Le Vernet, then later transported to different camps in the deserts of Morocco and Algeria. With memories of his former life as a political journalist receding like a dream, Hans spends the next year and a half in forced labor camps, hearing the stories of others whose lives have been upended by violence and war. Aomar Boum and Nadjib Berber capture the experiences of thousands of refugees through the fictional Hans, chronicling how the traumas of the Holocaust extended far beyond the borders of Europe. They introduce the reader to the entangled histories of French colonialism and the Holocaust in North Africa, often marginalized in the field of Holocaust Studies.

In the summer of 1263, Nahmanides (Rabbi Moses ben Nahman, c. 1195-1270) traveled from his home in Girona to Barcelona at the behest of King James I of Aragon (1213-1276) to debate with a Dominican Friar named Paul about specific claims concerning the Messiah in Judaism and Christianity. The two disputants, each thoroughly convinced of the indisputable truth of his own religious faith and theological interpretations, argued their positions before a panel of judges headed by James I himself. Nina Caputo's new graphic history tells the story of the Barcelona Disputation from the perspective of Nahmanides. By combining the visual power of graphics with primary sources, contextualizing essays, historiography, and study questions, Debating Truth explores issues of the nature of truth, interfaith relations, and the complicated dynamics between Christians and Jews in the medieval Mediterranean.

Inspired by the resounding success of Abina and the Important Men (OUP, 2011), Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport. Whereas their adversaries across the Channel reputedly settled private quarrels by dueling with swords or pistols - leaving widows and orphans in their wake - the British (according to supporters of boxing) tended to settle their disputes with their fists. Mendoza the Jew provides an exciting and lively alternative to conventional lessons on nationalism. Rather than studying learned treatises and political speeches, students can read a graphic history about an eighteenth-century British boxer that demonstrates how ideas and emotions regarding the "nation" permeated the practices of everyday life. Mendoza's story reveals the ambivalent attitudes of British society toward its minorities, who were allowed (sometimes grudgingly) to participate in national life by braving pain and injury in athletic contests, but whose social mobility was limited and precarious.

Originally published in a serialized form, this book is a classic graphic novel, which not only shaped the way the Holocaust is taught in colleges, but also how we think about graphic narratives, especially biographies and memoirs. It retells how and what the author learned from his father about his survival during the Holocaust in occupied Poland. The title relates to the graphics, which closely connects with the perspective of the father on his story of survival largely defined by the German racialized view of Jews. Jews, Germans, Poles, the French, and others are represented as humans only from the neck down, their heads being of different animals. Jews are mouse-headed men (Maus is the German word for mouse or mice) while Germans are cats and Poles are pigs drawing on the popular connotations these animals and the relationship between them carry. This technique echoes traditional Jewish techniques of representation; however, it is also in a dynamic dialogue with cartoons. It highlights the role of portrayal and memory in the study of the Holocaust.

The award-winning graphic memoir about Israel that offers more questions than answers about identity and politics Sarah Glidden is a progressive Jewish American twentysomething who is both vocal about and critical of Israeli politics in the Holy Land. When a debate with her mother prods her to sign up for a Birthright Israel tour, Glidden expects to find objective facts to support her strong opinions. During her two weeks in Israel, Glidden takes advantage of the opportunity to ask the people she meets about the fraught and complex issue of the Israeli-Palestinian conflict, but their answers only lead her to question her own take on the conflict. Simple linework and gorgeous watercolors spotlight Israel's countryside, urban landscapes, and religious landmarks. With straightforward sincerity, lovingly observed anecdotes, and a generous dose of self-deprecating humor, How to Understand Israel in 60 Days or Less is accessible while retaining Glidden's distinctive perspective. Over the course of this touching memoir, Glidden comes to terms with the idea that there are no easy answers to the world's problems, and that is okay. This debut book landed on several best-of-the-year lists, including Entertainment Weekly's; earned a YALSA Great Graphic Novels for Teens distinction; and won an Ignatz Award. Her second book, Rolling Blackouts, which documents her experience shadowing journalists in Turkey, Iraq, Lebanon, and Syria, will also come out this fall from Drawn & Quarterly.

Published quietly in 1978, Will Eisner's revolutionary literary work A Contract With God marked the invention of the modern graphic novel, took on a life of its own, and inspired a generation of "sequential artists." Will Eisner (1917-2005) saw himself as "a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail." The publication of A Contract With God when Eisner was sixty-one proved to be a watershed moment both for him and for comic literature. It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format. More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City. As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super's dog before doing in the super as well. In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner's own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck. Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents--the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans--whose faces changed yet whose lives presented an unending "story of life, death, and resurrection." The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner'' most poignant and enduring literary legacy.

When young Rolando Perez falls to his death from a cliff outside Santa Fe, New Mexico, the mysteries immediately begin to accumulate. Was he pushed or did he jump? What are the documents that Rolando was willing sacrifice himself to protect from his family, the police, and the Catholic Church? And what does a colorful concha pastry have to do with any of this? In the midst of the investigation, Professor Ilan Stavans arrives in Santa Fe to give a lecture about the area's long-buried Jewish history. He's looking forward to relaxing afterwards with an evening of opera, but his presentation on Crypto Jews attracts unexpected attention, and soon Ilan is drawn into a desperate race to find the long-lost documents that might hold the key to Rolando's death. Ilan Stavan's detective work leads him to taco joints, desert ranches, soaring cathedrals, and, finally, deep into the region's past, where he encounters another young man: Luis de Carvajal, aka "El Iluminado," a sixteenth-century religious dissenter. In a tale of martyrdom that eerily echoes Rolando's, Carvajal fled Spain for colonial Mexico at the height of the Spanish Inquisition, searching for his religious heritage -- a hunt for which he, like Rolando, would pay the ultimate price. In El Iluminado, esteemed literary critic Ilan Stavans and author and illustrator Steve Sheinkin present a secret history of religion in the Americas, showing how thousands of European refugees have left a trail of ghostly footprints -- and troves of mysteries -- across the American Southwest.