The Invasion of Ukraine

These texts in the wake of invasion, written by members of the Theater of Playwrights, Kyiv in spring, summer, and fall of 2022, explore everyday upheavals, the tectonic force of language, the intricacies of autochthony, and exile. They articulate a reach of emotions from outrage and defiance to the elegiac.

The Length of Days features a wild cast of characters-Lithuanian, Russian, and Ukrainian-and cameo appearances by Rosa Luxemburg, Amy Winehouse, and others. Embedded narratives attributed to one character, an alcoholic chemist-turned-massage-therapist, broaden the reader's view of the funny, ironic, or tragic lives of people who remained in the ill-fated Donbas after Russia's initial aggression in 2014. Unexpected allies emerge to try to stop the war, as characters criticize Ukraine's government at the time, its self-interest, and failures to support its citizens in the east. With elements of magical realism, the work combines poetry and a wicked sense of humor with depth of political analysis, philosophy, and moral interrogation. Witty references to popular culture-Ukrainian and European-underline the international and transnational aspects of Ukrainian literature. The novel ends on a hopeful note even though by then the main characters have already died twice: they return with greater power each time. As the author's last novel written originally in the Russian language, The Length of Days is a deeply Ukrainian work, set mostly in the composite Donbas city of Z-an uncanny foretelling of what this letter has come to symbolize since February 24, 2022, when Russia launched a full-scale invasion of Ukraine.

2022 NATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR TRANSLATED FICTION With a warm yet political humor, Ukraine's most famous novelist presents a balanced and illuminating portrait of modern conflict. Little Starhorodivka, a village of three streets, lies in Ukraine's Grey Zone, the no-man's-land between loyalist and separatist forces. Thanks to the lukewarm war of sporadic violence and constant propaganda that has been dragging on for years, only two residents remain: retired safety inspector turned beekeeper Sergey Sergeyich and Pashka, a rival from his schooldays. With little food and no electricity, under constant threat of bombardment, Sergeyich's one remaining pleasure is his bees. As spring approaches, he knows he must take them far from the Grey Zone so they can collect their pollen in peace. This simple mission on their behalf introduces him to combatants and civilians on both sides of the battle lines: loyalists, separatists, Russian occupiers and Crimean Tatars. Wherever he goes, Sergeyich's childlike simplicity and strong moral compass disarm everyone he meets. But could these qualities be manipulated to serve an unworthy cause, spelling disaster for him, his bees and his country?

"The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Plokhy's The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine's complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine's contribution to the collapse of the Soviet Union. Juxtaposing Ukraine's history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe"